I am working on an exhibition and publication about dreamed art or works of art that exist only in our dreams (when we are sleeping). I am currently working on compiling written descriptions of various artist's, musician's and writer's dreamed art and would like to invite you to participate by sending me a brief text describing a work of art that you have dreamed of in the past. (Dreams can be sent in English, French or Spanish. Contributors can choose to remain anonymous or have their name printed next to their dream). Below you will find five of my own dreamed art works that were published in the latest issue of Pazmaker (Mexico City). Thank you!

Yours truly,

Emily Mast 

Dream 1

A giant beaded mauve tableau, or something of the sort. A diptych with supernatural powers.

Dream 2

An enormous outdoor gallery with a small interior space. I stroll along a pebbled path. A girl is embracing a sculpture ­ a stiff little odd-faced man made of stone whose legs and arms jut straight forward. A video shows close ups of old shoes and then suddenly I see them in front of me ­ hundreds of pairs of weathered menıs leather shoes are lined up along a riverbank. I enter the interior space. The ceiling is painted yellow then blue. There are tiny space creatures and octopuses hanging from a glittery green ceiling. They are made of rubber, plastic and sequins. Someone whispers, ³I like the green octopus² and it is indeed very beautiful ­ itıs a dark shimmering sushi-seaweed green and composed of lots of different balls strung together. There are also grey wax space ships (framed) and piles of other colorful unrecognizable objects that I stare at for what seems like hours. I go outside again and find myself in front of a shallow lake. There are beautiful see-through clear glass tiny tent-sized houses near the shore. I think, ³these are future tents from 2090². Children are sleeping inside, two to a cot even though itıs daytime.

 

Dream 3

My friend Chris has set up an installation composed of metal tins filled with clear liquids and feathers. Inside one of them is a furry egg. A contraption runs a heat lamp that warms the furry egg every time we hear music, thus incubating it until it hatches. Apparently, a lot of eggs have already hatched because there are broken shells everywhere. Below the incubating station is a stove. A bird and a baby are inside. Iım vaguely worried about the baby whose eyes are being brushed with a toothbrush but then I start to worry more about the small bird who has begun to brown and bake. Iım concerned with the ethical aspects of the project, but when I turn to ask Chris about it I find he has disappeared into thin air.

 

Dream 4

Beach performance. I dig three deep holes in the sand with a thick yellow tube. A wave rolls in, recedes, and I proceed to unearth treasures from within the holes : three knives in amber and leather casing, a gold lion-headed beret, silver pliers in a plastic snap sack, two perfectly intact white turn-of-the-century womanıs frocks (one with lace, one without), among other things. Towards the end, I declare that I will move to Australia.

 

Dream 5

A fabulous French fairy tale gallery show with gigantic forest murals and enormous ceilings. Iım both a visitor and a participant: Iım dressed in an extremely heavy floor-length purple-grey Cinderella servant gown. A deep male voice that seems to be coming from nowhere resounds in the space. An American visitor asks me to translate for him and I almost refuse (since I donıt work there) but donıt. I try my best but midway through the voice starts speaking German and Japanese instead. The American becomes impatient and leaves without thanking me. Iım hot. The dress is thick.